Ludmila Perets paintings associates with the bright, sated color to everyone whom artist's name is familiar to. Sources of such colorful attitude could be found in artist's childhood which has passed in Uzbekistan. The southern sun, blossoming steppe poppies, ripe fruit, hot summer – Ludmila's life was filled with all these impressions and by her paintings, it remains the same today. Subsequently such experements didn't meet in the artists painting any more, however, attention to a subject, to its real materiality, aspiration to color, understanding a brush touch in indissoluble connection with material-spatial qualities of a nature – all these qualities are still in her work.Ludmila formulates her creative credo in the similar way: "... the truth of a life is very important for me, sensations of this truth as we are in the world, surrounded by these people, this nature, these subjects, these houses, by these machines – that is the sensations of today. "..." I always aspired to persuasiveness and vitality”. Really, in all works of the artist this reference to the visible world, as to a subject of creative comprehension is well seen. However it isn't a simple discription of the reality and art "retelling" of it. The compositions created by L.Perets, whetheir it be a portrait of her own children, flowers at the window in her room or a court yard of usual Riga district, are filled with a certain optimististic charge, the vital beginning, owing to bright, active color. These works are the ecstasy of color and light, pleasure by the moment, pleasure by the moment, pleasure from experienced. The choise of plots has an expressed chamber character. L.Perets's pictures are fragments of the workd surrounding her. This world is clear to the spectator, but still it is very personal. Maybe that's why it is so difficult for the artist to leave her works.

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